צלון

שנה: 1957, מעצב: סול (פריקינ׳) בס

בדידים ביחד

Seven Magic Moutains, Ugo Rondinone, Nevada

Seven Magic Moutains, Ugo Rondinone, Nevada 2016

חזרה בשאלה

There are people who are looking for a source of perfection, looking to perfect an image, who work to perfect the photograph. I just happen to be the extreme opposite; for me, images have become way too sharp and way too clear; they’ve lost a sense of depth of field. I think the image itself becomes a way to provide an answer, to tell you what to buy. The images have become tangible—in the sense that the image is saturated by product, so it’s saturated by a message, an answer. In reality, though, I don’t believe that anything is fully tangible, or can be captured in that way, converted into a simple answer.

ניוז

יש לי ניוזלטר חדש. אפשר להירשם אליו כאן.

פרף

Armand Rateau for Lanvin “My Sin,” 1920s

בקבוק הבושם של Armand Rateau לבית לנווין, סביב 1920

תכל׳ס

Tanja Ostojić – “After Courbet, L´origin du Monde”, 2004